"Food is Love", oil on linen, 32" x 34"

“Food is Love” is a narrative portrait about one person’s journey through a new chapter in her life. After a successful career in the corporate world she went through a process of self discovery and came to the conclusion that her passion was the soil, growing vegetables and gathering people together to share in the meals that were the product of hard work. She bought some land and along with her son began to farm it. The painting depicts moments and objects that have special meaning to her on this journey, from the goats, pigs and chickens that were part of her day-to-day existence to the produce they grew, and the dishes she made for the people she gathered around her table.

The composition sketch

Watercolor study for the landscape

"The Greeters', oil on linen, 36" x 48"

My wish, and I  assume everyone else's, is that the day we reach the other side, all the dogs we have loved in our lifetime will be there waiting to greet us.

This painting is the greeting line up of all the wonderful dogs that belonged to an individual in Bethesda, Maryland. She loved her dogs intensely and with all her heart and when she saw another "lifetime of dogs" painting that I did she knew she wanted a painting of her own. She is an amazing person and besides loving her own dogs, she loves all animals and was very involved with the Washington Animal Rescue Alliance for years. 

When she started sending me photos of her dogs I fell in love with them as well. They were all so different and unique. There is Kiki, the black lab who was wonderful with children, and Senta the beautiful German Shepherd mix with the most soulful eyes. And Daisy the yellow lab who loved the water so much -- she was wading in every photo. And tiny Moose, (perfect name) the cheerful Yorkie, who could hold his own with the big dogs. Then Laila the white and caramel terrier mix who looks tough until she rolls over and her tongue flops out to show she is a total love. And the amazing and much loved Mango who has both incredibly expressive ears and a way of sitting on one hip that is totally endearing. And finally Wolf the big, beautiful Husky with a smile so wide you can't not smile back. 

These dogs were so special on their own I decided to let them have center stage, sitting or standing in an open landscape with water and a big blue sky. I wanted their surroundings to feel like what a dog might imagine as heaven. Their owner has a house on an island in New England so she had the perfect setting for this. And just to add a little movement and color there are seven sailboats for the seven dogs, sailing behind them -- a touch of existentialism to symbolize that they live forever in their mom's heart.

Madame et Le Chien, oil on linen, 22" x 30"


 I have a close friend who is naturally elegant. She is tall and graceful and has lovely refined features. She also has a beautiful and elegant Weimaraner named Greta. Whenever I see them out walking together I have a strong urge to paint them in a double portrait. But I had not figured out how to do it and elevate it beyond being a pedestrian likeness. Also my friend is modest and I couldn't imagine that she would enjoy the process of having her portrait painted. One day I was perusing a gorgeous book on John Singer Sargent with full color plates and I was mesmerized by the studies for and the the final painting titled "Madame X" which Sargent painted in 1883 of the young socialite Virginia Amelie Avegno Gautreau, the wife of the French Banker Pierre Gautreau. It is a stunning and mysterious painting. As I was studying it the subject Madame Gautreau suddenly brought the image of my friend and her dog Greta to mind. There was something so familiar. So after doing a few sketches I decided to paint Greta and have Madame Gautreau stand in for my elegant friend. I composed the painting so that Greta's stance and profile mirror Madame X's, and in a setting that echoes the late 1800 period. The breeze lifting the sheer curtain and what the subjects are gazing at beyond the window- remain a mystery. 

Here is more about the original Madame X, which caused quite a bit of controversy in its time.

https://www.artsy.net/article/artsy-editorial-madame-scandalized-art

Two more "A Lifetime of Dogs"

 Late summer and early fall of this year brought me two more commissions that involved painting the dogs from someone's lifetime. In my mind I equate this to painting a glimpse into what someone's heaven might be, because for me I would like to see the menagerie from my entire lifetime waiting at the gates for me to arrive. We would pick up just where we left off  and they would all get along beautifully. Of course my vision would include cats and a few horses, and maybe a couple guinea pigs. 

The painting I finished in August was for a gentleman on his 80th birthday. I was asked to paint it by his family and they gave it to him as a surprise.  They wanted him present in the painting, quietly sitting in his yard enjoying the company of his current dog as well as the dogs from his past. He often had two at a time of a certain type- all beautiful. The family provided me with whatever photos they could come up with as well as descriptions of a few when a photo couldn't be found.

"Dogs of a Lifetime", oil on linen, 24" x 30"

The second painting was for a friend who was the owner of an architectural salvage shop in DC. She is a collector herself and has a beautiful home filled with interesting and exquisite objects. She also has a wonderful sense of color and has had a fantastic collection of dogs over her lifetime as well. She is a delightful individual and has a special charm and glow. Even though she didn't want to be present in the painting I wanted the painting to "feel" like her in spirit and mood.  As we chatted about the painting she told me about each individual dog, how they came to be with her, and their unique personality and disposition. I got very attached to them as I painted them and wanted to do each one justice. On the day I delivered the painting, I finally got to meet the beautiful Tessa in person and I got the feeling she was quite content with her likeness...or it might have been the treats.  

"Donetta's Dogs", oil on linen, 32" x 32"




Donetta and Tessa



"Living with Goats", oil on linen, 30" x 40"

I started this painting as a tiny gouache sketch sometime last summer. It was inspired by the goats we see every morning on our early morning walks up Hayes Hill Road in Mill River, Massachusetts. At the top of the hill there is a farm. A young farmer lives there with his family and every time I pass I wish I could tell him how much I admire him. Farming is hard there is no doubt about that. I always hope that the beautiful view from his hill makes up for his early and late hours, the search for enough land, hauling food and water for all the creatures he is raising... and never mind the weather being temperamental and uncertain. And then there are the goats. I really hope that their crazy antics and funny voices bring the young farmer some joy and that he is not too overwhelmed by the weight of his responsibilities to enjoy them. I started thinking that maybe I should add some goats to our menagerie of cats and dogs, but then I thought again about the reality of that... and did this painting instead. 

Living with Goats 

A Lifetime of Animals, oil on linen, 42" x 42"








oil on linen, 42" x 42"

The inspiration for “A Life with Animals” came last October from conversations with the individual who asked me to paint it.  The concept for a painting like this is very organic. I listen to the individual tell me stories about their life, their passions and the animals they have loved, and slowly the idea emerges, followed by the seed of a visual portrayal of the idea.  In this project there were so many inspiring stories, so many wonderful creatures, that the initial concept kept growing and expanding over time.


My first challenge was how to place all these creatures into the same space yet have it feel cohesive and somewhat natural – a very happy peaceable kingdom. I liked the idea of making the setting the large room of an English-style country house with various areas for seating, and opening to a landscape. Since many of the animals were rescued from dire situations and given a second chance for comfort and love, I thought that should be reflected in the painting – all the creatures living harmoniously together in a beautiful and cozy home. 


I started by drawing a floor plan on grid paper as if I was figuring out where to put furniture in an empty room, then I slowly added the animals and moved them around until they each had their own spot. Then I did a perspective drawing on paper to create a deep space within which I could arrange the composition. Using photographs and descriptions of all the animals, I did a number of preliminary drawings so I felt like I knew them before starting on the canvas.


On the linen canvas, I always begin with a reddish orange imprimatura, then grid it so I can scale up from the perspective drawing. First I draw the space in charcoal, then add the figures. 

Once the drawing is complete, I do a grisaille (gray tones) underpainting. When that is dry, I start working over that in transparent color glazes.

 

Along with the animals there are some objects depicted that are unique and personal to the owners of the painting, such as the scale of justice, the hats, the bluebird and robin, certain attributes of the interior and the landscape. 


There have been times in my career when a painting sort of takes over and paints itself. This was definitely one of those. I think perhaps the spirits of all the lovely creatures had something to do with it. I am just grateful to be the person who got to hold the brush.  


See a video of the painting here: https://youtu.be/gGSfxtcfzE0


Images of the painting in progress: 























 

Sleeping Women




A theme I seem to return to again and again in my paintings is the image of a woman asleep. There is a long tradition in the history of art of a woman sleeping so I am not the first or last artist to be attracted to this subject. Perhaps it's because when you gaze upon someone asleep the potential for looking into their mind, their dreams, their virtual reality is so tempting and inspiring. Do they dream of the ocean, or the stars, or the face in the moon, of love, or perhaps of horses or herons? Hopefully all the dreams are beautiful with few nightmares. 

Some of my recent Sleeping Women paintings:

The Dreaming of Horses theme grew from having frequent bad dreams or "nightmares"  over the past few years. When I would wake up anxious and fearful,  I would try to focus on what I would rather be dreaming of- And I decided I would always rather be dreaming of horses. 

I love the Richard Diebenkorn painting "Sleeping Woman" from 1961 so I decided to depict that painting on the wall and mirror it in the sleeping woman on the sofa in the painting below. 



"I'd rather be Dreaming of Horses" 24" x 24", oil on linen

The next Dreaming of Horses was done for a friend who loves horses. That is her horse Piper peering in the door at her and gently touching her hair with his soft muzzle. And her beagle Riley sleeping near by. Have you ever noticed that you sleep more deeply with your dog or cat in the room? 


I'd rather be Dreaming of Horses II, 24" x 30" oil on linen

A painting I did a couple years ago- A woman has come home from work, had a sip of wine and dozed off on her sofa exhausted.  She had waited all day for the moment when she could feel
safe and unthreatened in the company of her cats. In her dreams her cats have become her guardians and stand over her like protective angels while she sleeps deeply and peacefully.  


"Shine Theory", oil on linen, 50" x 50" 

And another woman asleep is Henrietta. It was the middle of winter, cold and bleak. Henrietta was looking at a photo of her favorite painting by Matisse called "Still Life with Sleeping Woman" and started dreaming about a warm climate, the sea, a breeze, when two beautiful great blue herons materialized and flew through the open window. Henrietta kept on dreaming...


"Henrietta and the Herons", oil on linen, 24" x 30" 

And my most recent sleeping woman painting... She wondered why she always felt a little fuzzy 
when she woke up from an afternoon nap.

"Afternoon Nap", oil on linen, 30" x 40"

And one more that has a lot of meaning for me personally and which has a poem that accompanies it.

 
"We are just passing through like the river..." oil on linen, 36" x 48"

He came to me in the night
two weeks after he departed this earth
I heard him climbing the stairs
which he had not done for years
I awoke and could see his silhouette on the landing
back lit by the hall light
his big strong head and shoulders monumental

I got out of bed and tiptoed to him
and sat down
He leaned against me and spoke in a deep baritone
which I always imagined he would have
I am sorry I left without explaining
But you shouldn’t grieve for me
We all know we will be leaving and moving to our next life
Who is We? I asked, pressing my forehead against his
The Animals, he said.
We exist before we come to earth and we exist after we depart
We learn while we are there-
about human frailties and strengths
about cruelty and kindness
and we give selfless love to those who care for us, to those who need us
Then we get our next assignment
and we depart
So please don’t grieve for me, you see
We are all just passing through like the river.


If you look through my website you will see more sleeping women. www.kathrynfreeman.com
Hope you enjoy them.

Here are some of the images of the wonderful paintings referenced in this post and others that inspire me.

Matisse "Still life and Sleeping woman"
Diebenkorn "Sleeping Woman"
Balthus "The Dream"
 Rousseau "Sleeping Gypsy"


Vermeer "A Maid Asleep"
Girogione "Sleeping Venus"








High Tea with Friends, oil on linen, 36" x 36"

 This painting was a particularly enjoyable and successful collaboration between the client and myself because she is a designer and we speak the same visual language. The first time we chatted on the phone we hit it off and it was clear she had studied my paintings closely and really understood the formal elements- composition, geometry, perspective and color. She had a wall in her dining room picked out so that determined the size. She also wanted a deep space so that it felt like another window. She liked the painting I did a few years ago titled "Rabbit Summer" so that helped us with the narrative and structure. She also had some wonderful palette ideas that would work with her dining room. Springer Spaniels have always had a place in her life as well as a beautiful garden behind her home in West Virginia... and she is known for her baking talents.  The outcome is "High Tea with Friends".

"High Tea with Friends"


color samples for the palette 

Thumbnail sketch



Alfred and Friends on the Farm, oil on linen, 20" x 24"

 

Alfred is the fellow sitting right in the center foreground of the painting looking out at you and he is a very lucky guy. He was adopted by a wonderful family who had recently lost their beloved Spaniel so in a mutual arrangement he filled their hearts with joy again, and they are giving him a life any dog would envy.

Next to Alfred is his buddy Lily. Lily is a demure city girl living in a nice building on the upper east side of Manhattan. She goes to the beauty parlor regularly and lives a posh life with her mum. But when Lily goes to visit Alfred on his farm, she becomes quite another beast completely, and has been known to get appropriately muddy for a farm dog. 

Behind the pups in this pastoral setting are Mason and Jake, Alfred's very curious donkey friends. Whenever Alfred is near they watch him closely and appear to be amused by his antics.  

And back in the field are the beautiful farm cows grazing peacefully. 

This painting was a surprise for Alfred's family from his grandmother who is also the former director of the Tatistcheff Gallery NYC where I exhibited by work for many years and my close friend. She  stealthily collected photos of the farm from her son and sent them to me one my one. As a writer, she had an amazing ability to describe all the subjects' personalities in great detail so that I could get them on canvas. It was  a cheerful project to work on together and now I look forward to meeting all the characters in person one day! 


"Citizen of the World"

This painting was a surprise for the recipient. I am always a little wary of doing paintings as surprises because art is so personal. But in this case I knew that the fellow commissioning it for his wife would have great insight into what she would like. AND she is a dear, long time friend of mine- which made the experience especially wonderful. 

She grew up in Malta and from a very early age she knew she wanted to make her life about travel. She went to school in Switzerland and ultimately became a leader in the travel industry. So her husband wished to make the painting about that and call it "Citizen of the World" because that is how she has always felt, and lived her life. 


"Citizen of the World", oil on linen, 24" x 36"

The painting shows a young girl, looking at a globe and writing in a journal- perhaps planning future itinerary or writing about the journeys she has already taken. Some of her favorite books as well as books about travel and an atlas are in the bookcase below. Golden Retrievers have always been their family dog.  In the distance between the arches I melded together New York, Paris and Malta, all places where she spent time and which are dear to her heart, as if they were one landscape. 

In the middle distance, there are two luzzo, traditional maltese fishing boats, which visually help make the transition from foreground to distance.  In the foreground architecture, on either side of the arch are a Maltese Cross, and the emblem from the Rosey School in Rolle Switzerland, which she attended. The school emphasizes an international atmosphere which obviously had a big influence.  A family of swans floats near the steps, symbols of her family life. I based the color scheme for the painting on Maltese tiles. 


Here is the watercolor study for the painting 


And the painting in two stages- the underpainting in progress, and then with the first glazes



A Maltese cross, The Rosey School logo, and a Maltese Tile 








"7 pm with Hopper and Bonnard" (If Edward Hopper's Model had lived during the Pandemic and had Pets")

2020 has been a very strange and disorienting year so far with lots of new phrases and expressions being added to our lives. One of these is the concept of "Staying Home" in order to "flatten the curve" and slow the spread of the COVID 19 virus. Besides sometimes being challenging- staying home had some silver linings mainly because people slowed down and had time to try things and do things they didn't have time for in their normal full and busy lives. Many people were sheltering alone which reminded me of the Edward Hopper paintings of single figures isolated in a room. Other people saw this relationship and many Hopper paintings were shared on social media. 

One of the last little trips I made before the pandemic hit, was a road trip with two friends to see the Hopper Hotel show at the Virginia Museum of Fine Arts in Richmond. I have always been a Hopper devotee. My uncle, an art historian and painter, was a lecturer on Hopper at Washington University in St. Louis, and since I learned to paint from him, I looked at a lot of Hopper paintings over many years. I even named one of our dogs after him... The show in Richmond was fantastic and I fell in love all over again with the painting "11 am" which I have depicted on the left hand wall in this painting.  I also stole  the wonderful figure from Hopper, reversed her pose and made her the woman isolating alone in "Staying Home".

"Staying Home" oil on linen 36" x 36"

But she is not alone at all. Another silver lining to the pandemic was that many people realized that it was the perfect time to bring a dog or cat into their lives. Pets are companionship and comfort and that is what we all needed. A record number of animals were pulled from shelters and placed into loving forever homes. So the woman in this painting is surrounded by her dogs and cats in the warmth of a cozy interior. The other painting on the wall is Bonnard's "Woman with Dog" -another favorite painting of mine. 

Other activities that people were doing while staying home are represented in the painting; such as learning chess, (I think the cat is winning), making sourdough bread, and doing hours of handicrafts such as knitting and needlepoint. My daughter was staying home in Brooklyn. She described her experience being in the city and sometimes called us to let us hear the nightly 7 pm ritual of people coming to their windows, shouting and beating on pots to thank the healthcare workers for their hard work, devotion and personal sacrifice. So that is what is going on in the buildings outside. 
I titled the painting "7 pm with Hopper and Bonnard" to echo the Hopper painting titled "11 am".

"Sanctuary" oil on linen 36" x 48"


I was working on this painting at the beginning of the Pandemic so I titled it "Sanctuary". The room is a place of calm and reverie, isolated from the chaos and stress of the outside world. 

Formally the painting is a play on the Matisse painting “The Piano Lesson” which is on the wall. The real painting hangs at MOMA and I visit it whenever I am there. It is a mystifying work of art. 

In "Sanctuary" the boy at the piano is the reverse image of the boy in the Matisse. Other elements I have pulled into this painting are the arabesques of the wrought iron balcony, the angles, horizontals and verticals which are either opposing or aligning with those in "The Piano Lesson". The colors also relate to Matisse’s palette. The owls have found the sanctuary to their liking and the head of the boy in "The Piano Lesson" has always looked quite owl-like to me. 




Commissioning a Painting


I thought I would take this moment in time to write a little bit about how I do a commissioned painting whether it is a poetic realism composition, a simple portrait of a person or a pet, a complex narrative portrait, or something in between. 
"Plutarque"
"Portrait of a Young Poet"

"Toby with Jed and Bizzy"


I love painting for an individual or family. It is a collaboration and most of my clients seem to enjoy the creative process. It can be a painting similar to my "Interior Dreams", "Animal Dreams" or a "Story from the Woods" series or it can be simply a landscape or a depiction of certain place that has meaning to the individual. It can also be a narrative portrait telling the story of an individual or family.  This concept is based on portraits from the Renaissance in which the artist depicted aspects about the life of the subject as well as a painted likeness. 
The process can be completely virtual without me ever meeting with the subjects in person and when it is finished the painting will be shipped to the client. It starts with an email exchange in which I send a series of questions to get to know what the client is looking for in terms of the painting size, who or what is to be the subject of the painting, where the painting will be hung etc.
Once I have this information, we set up a phone call which could also be a facetime or a zoom meeting. And at this point I ask for a few photographs to be emailed or texted to me as beginning resource material. After that I start working up a composition. This is a small sketch on grid paper with written notations. I email the sketch to my client for changes or approval. When the composition is set, I often ask the client to take specific photos and email them to me, if necessary. Then I build the canvas using all archival materials and start drawing, then painting. If the client is interested in seeing the process, I am always happy to send photos as the painting develops.

I especially love painting a human with their four-legged best friend, or just the four-legged friend. Or all the four legged family members from a person's lifetime as in the last painting in this post called a "Lifetime of Animals.  Please feel free to contact me for more information and pricing.

Preliminary Sketch for "Shadow's Woods"


Final Painting "Shadow's Woods"

Preliminary Sketch for "Come for Drinks"


Final Painting "Come for Drinks"
Preliminary Drawing for "Sunday Morning with Shelties"

Final Painting "Sunday Morning with Shelties"

"A Gathering of Old Friends"

"Alfred on his Farm with Friends"

"Khaya and Sascha "


"A Lifetime of Animals"




                                       







Dance an Ode to Matisse


In recent years I have been looking back at various artists who have influenced my work in one way or another during my career, and studying their paintings by incorporating one into one of my own compositions. It is now time for Matisse. I first starting looking seriously at the paintings of Matisse on a trip to Russia in 1987. I was with my husband, who was a foreign correspondent. He was reporting on stories in Moscow and Leningrad, so I took the opportunity to go along and visit the Hermitage Museum. To my amazement, among the incredible collection there were a large number of Matisses -- none of which I had ever seen, even in books. You have to remember, back then St. Petersburg was still called Leningrad, the Communist Party still ran the Soviet Union, and the number of Western visitors to the Hermitage and exchanges of paintings between Russia and the West paled compared with today. One of the paintings was The Dance, which was commissioned by the Russian collector Shchukin, who asked Matisse to paint a second version of the one that hangs in the Museum of Modern Art in New York. The panel that Matisse did for Shchukin depicted the figures more robust and muscular, less graceful and in a strong orange-red color, whereas the figures in the painting in MOMA (which is the version I loosely copied in my painting), are lithe, simply drawn and lighter in hue, and the entire painting is imbibed with an airiness and lyricism. The Dance was deceptively hard to copy, which says a lot about the simple shapes and  elegant line which is the beauty and magic of Matisse.



"Dance", oil on linen, 36" x 48"

My painting "Dance" is another in my ongoing series called Animal Dreams, in which I am creating dreamlike sanctuaries for creatures that are threatened in the real world. In my Dance, a cellist is performing in the foreground with his loyal Foxhound and a hat set out on a chair for donations. There is a forest outside and a supernatural light pours through the window, casting a swathe of light across the Matisse. The music and the warm light attract a family of foxes who, inspired by the dancers on the wall, form a dance circle of their own. I chose the musician to play a cello because the shape of the cello and the case echo the shapes of Matisse's dancers, and because I love cello music and often listen to it while I work.  I recently read Fox 8 an exquisite and powerful little book by George Saunders about a fox who is the daydreamer in his pack and teaches himself how to understand "Yuman" by hiding in the bushes outside a home and listening to children's bedtime stories. The power of this knowledge leads him to learn that the habitat of his pack is in impending doom from developers who are clearcutting the forest and building a shopping mall. This book in a microcosm shows the way urban sprawl is affecting wildlife and even causing the extinction of some species. In my own neighborhood I see foxes on a daily basis and strangely, since I have been working on Dance a large, beautiful red fox has been keeping a close eye on me and my dogs. I make a point of nodding to him in appreciation that he is there.

The Dance at the Hermitage 
The Dance at MOMA

                                                                 





We are all just Passing Through Like the River, oil on linen, 36" x 48"




He came to me in the night
two weeks after he departed this earth
I heard him climbing the stairs
which he had not done for years
I awoke and could see his silhouette on the landing
back lit by the hall light
his big strong head and shoulders monumental

I got out of bed and tiptoed to him
and sat down
He leaned against me and spoke in a deep baritone
which I always imagined he would have
I am sorry I left without explaining
But you shouldn’t grieve for me
We all know we will be leaving and moving to our next life
Who is We? I asked, pressing my forehead against his
The Animals, he said.
We exist before we come to earth and we exist after we depart
We learn while we are there-
about human frailties and strengths
about cruelty and kindness
and we give selfless love to those who care for us, to those who need us
Then we get our next assignment
and we depart
So please don’t grieve for me, you see
We are all just passing through like the river.


Rembrandt, fka Remy, RemDog




Dear Rembrandt, aka Remy, RemDog,

It is only a day and a half since you left us and our hearts are aching. Your absence leaves a literal and figurative giant hole in our lives and in our living space. I just thought I would write down some memories and message them to heaven, where I am sure you are now, reunited with your right front leg, enjoying a peanut butter kong and relaxing on a sofa, (as you were the all-time couch connoisseur), without a worry in the world and pain free.

 We brought you home from a shelter in western Virginia on December 30th 2007. We looked at the adoption form for the first time when we were almost home and noticed it said Mastiff Mix.  Haha

You were a bit of a hard luck Harry from the beginning.  You were such a mellow puppy … and then suddenly too mellow.  You came down with Parvo Virus on New Year’s Eve and spent two days at Friendship Animal Hospital in Intensive Care. This would be the beginning of your love for that place, with many more visits in your future. Miraculously you survived and this time when we brought you home you were no longer mellow -- but a wild guy!  You were big and strong even as a puppy and you could do some real damage in an astoundingly short period of time. I guess we didn’t really understand crating back then but here is a list of some of your achievements:
The lion foot leg on the oak dining room table – yes, oak -- gone in minutes.
The toes of two cleats and a custom-made mouthguard right before a big high school game. I made the excuse you were just excited for your boy, who was playing wide receiver in those days, but you are very lucky he didn’t tear his ACL that night, playing with plumber’s tape wrapped around his toes.
Every single toilet brush and dustpan in the house chewed to a nub. Some of those nubs still exist.
Two sixty-pound potted water lily plants, pulled out of the pond, shredded and strewn about the yard. I caught you red handed (pawed) and you stood there with your big goofy grin and your slow tail wag looking so proud.
And that is just to name a few. We were happy when your focus turned to bully sticks and marrow bones.

Your adolescent years were spent trying to get you to conform to societal norms. You loved everyone and everything, but we sometimes had to modify your 70 pounds of enthusiasm. When you hit the front door at a run (your unique form of greeting the mailman), I worried it wouldn’t stand the impact. Several training classes, some private tutoring, and a lot of treats did the trick.

Do you remember how much cats loved you? We’ll never forget when Jordan adopted a tiny sick kitten who we named Otis. He came into the house and started purring wildly the moment he laid eyes on you, and from that day on he thought you were his mother. Even when Otis grew into a very large snowshoe Siamese he still buried his face in your armpit and kneaded his paws into your fur until sometimes you couldn’t tolerate it anymore and you would stand up and send him flying. But he always came back for more love. Everyone did.
There was something about your hulk and kind demeanor that attracted people. I will always remember the day you were with me in a bookstore and a tall woman, elegantly dressed in business attire, came up to us. She stood there gazing at you while she stated that she didn’t like dogs. Then she got a little closer, looking at you even more intently and said, “He is very handsome.” Then she touched your soft ear and bent down to rub your head. Before I knew it, she was sitting on the floor with you between her legs, giving you a total body massage and you had rolled over into her lap. You convinced her that a dog might be a good alternative to a boyfriend. You had that effect on lots of souls through the course of your beautiful lifetime. 

One of my most “body contact” memories was during high school football preseason and Augustin and some of his buddies would come home from practice for lunch and to cool down from the summer heat. They would stretch their sweaty selves out on the sofa and watch TV and you would be right in the middle of them with their legs draped across your hulk and your big head resting in their laps. I wish I had pictures of that now.

You were a pro traveler and liked nothing better than a road trip. We sussed out the dog-friendly hotels up and down the East Coast. We would walk you up to the check-in desk, having already made a reservation for a dog “under 40 pounds” and hope that no one looked down. I’m sure they did but saw your sweet brown eyes and big smile. No one ever asked you to get on a scale. You knew to tip toe down the halls to our room as quickly as possible so as not to cause a distraction. You always enjoyed a king size bed and a good night’s sleep on nice linens.

You liked a vacation as much as anybody and loved taking the ferry over to Block Island or a trip to the Berkshires. One year I decided that I wanted you to learn to kayak with me. We practiced first on dry ground. You learned to “wait” while I got in, then slowly squeeze into the small space in front of me. When we got to the lake, all went well even with the kayak heavily listing toward the front. Then we got a little too close to the shore and you decided to disembark and do some exploring -- through poison ivy -- then came back to the kayak and settled back in between my legs. Enough said. It was a very itchy remainder of the summer.

And then there was the relationship you had with my teenage art students. This part really brings tears because it was so meaningful to me. You knew the days that I had classes and you seemed to know who was coming. You knew the ones that were stressed, the ones who had had a rough day at school, or whose parents were going through a divorce, or the ones who had just had a break up with a boyfriend or girlfriend, or the one who had no friends at all. You would greet them as they entered the studio and flop down on the floor at their feet and they would flop down with you and bury their face in your broad back and stroke your fur. Then after a little while they would gather themselves and go to their easels and start to draw, calmed and renewed. Anyone who ever doubts the concept of a therapy dog should have born witness to the effect you had on these kids. And sometimes they drew you. There were some wonderful drawings of RemDog over the years. All we had to do was pose you in front of a donut and say “leave it” and you were the perfect model.

You were also a champion foster brother to many puppies and fearful dogs. You could make a rambunctious litter of five sit at attention with a soft but firm “ruff”.  We called you “The Sheriff”. You also knew intrinsically how strong or gentle you needed to be from a chihuahua puppy to a big 14-week-old pit mix who needed some exercise. One of your most touching charges was the special needs puppy from Lucky Dog we fostered for four months. All four of her legs were malformed from birth and Lucky Dog had provided her surgery on her front legs to try to give her some mobility. She was terribly fragile, and her bones broke easily, so you couldn’t play with her. But boy she adored you and you knew that. You would lie by the puppy pen and she would wiggle up to you and give you kisses through the bars. You were the braveheart to our shy fosters. Just your presence made them feel safe and more confident, and your enthusiasm for everyone who entered the house gave them a new attitude toward life.

There is a long list of funny stories but I just want to remind you of a few. We don’t want people thinking you are a saint, right? Did I mention that you were very food focused?! There was the Washington Post Sports department holiday party each year that you enjoyed thoroughly.  One year someone brought a platter of beautifully decorated cupcakes. At the end of the party, a little girl came up to me, tugged on my skirt and said “you know what? I just saw your dog eat 19 cupcakes and I counted.”  You were fine because you were a gastronomical tank.

A year ago July when you were limping I feared the worst. An x-ray at Friendship Hospital showed that you had bone cancer at the top of your humerous and there was no alternative to amputating your front leg. Everyone was worried because you were a big guy with a giant head and already had an iffy back leg (from a prior run in with a Hummer on Connecticut Avenue that led to FHO surgery at Friendship. This is another story for another day). But we were not ready to part with you.  So the surgeon took off your leg and stitched you up with the most elegant strip of stitches I have ever laid eyes on. And you know what? You did great. Within 24 hours you were up on three legs and learning to maneuver. There are times when having a huge food drive really pays off -- anything for a cheese stick! With the help of a big stroller/bike trailer thingy you could do anything and never missed a walk in the neighborhood, a stroll to Bethesda for a Sunday morning bagel, a trip to see friends at Strosniders Hardware, a vacation, or a party. You loved your weekly visit to your favorite, lamb treat generous physical therapists and your best friend Matt at Friendship. Fourteen months of a full life. But then that big C raised its ugly head again in your lung and spleen. Once again you were a trooper and an inspiration until the bitter end.

Rembrandt, aka Remy, RemDog, we are going to miss you buddy -- your big warm calming presence, your goofy smile, your gorgeous brown eyes and soft ears. But we know you are up there in dog heaven seeing old friends and making new ones and romping around on all four legs.
We love you. Forever.



Modeling in the Drawing Studio

Roadtrip! with siblings

This past August in Maine

So good at making others comfortable

With his special foster sister Deana, now Danica

Another shot with her
With human sister. A classic RemDog look

Best snuggle of all with human brother

The summer of the kayak adventure

Sharing a cigar and a bullystick with dad


Shine Theory and the Sentry Lionesses, oil on linen, 50" x 50"

I completed Shine Theory a few weeks ago. Sometimes the idea for a painting evolves as I compose. Images appear and disappear. The music I am listening to changes. The mood swings and swings back. This is one of those paintings. It is lots of things to me. It is about a safe and quiet space. It is about vulnerability. It is about allowing the light that glows from others fall onto you and glisten. It is about illumination. It is about the meaning of beauty. So just gaze at it and let it be whatever it means to you.  


Here are a few words by the poet Marcin Brykczynski 

A white heron's dream 
The orange moon 
Is blinking 
Over the roofs of Manhattan 
Don't answer 
If he asks you 
About the dreams 
The white heron has brought 
You don't have to reveal it 
As long as the lions you dream 
Protect you 
Against the curiosity of the world

"LIterary Dogs and a Few Cats" Connie Morella Library Bethesda Maryland- The Installation April 12, 2019

I recently had the great opportunity to do a mural for the Connie Morella Library in Bethesda, Maryland. It is 40' long and 5' tall. I painted it in my studio on a giant scroll contraption, rolling out 8 feet of canvas at a time. It is painted in Golden Matte Fluid Acrylics on primed canvas.  It took me 5 weeks working 6 days a week and on the seventh day we rolled up one section and rolled out the next blank 8 feet of canvas.  Rolling it took four people because of the weight.  It was installed April 12th by Jim Lackford of Paper and Paint in Silver Spring. Thank goodness for his expertise!
It was wonderful having so many dogs and cats in my studio for awhile! I miss them but I can always go to the library to visit. It is really nice to have a mural in my own community!


roll out on the library floor pre- intall



video of Jim installing


installation 

Big Red, Lassie, Jack and Bandit, Old Yeller, Buck, White Fang, Luath, and half of Bodger

 
Bodger, Teo, My Dog Skip, Fang and Crukshanks


Winn Dixie, Cat, Big Dan and Little Annie, Sounder, and in the air -Asta

on the right- Thy Servant Dog by Rudyard Kipling


Nana from Peter Pan


Ribsy, Zoe, The Watchdog, Charley

my favorite- Beautiful Joe, his friend, and Puss 'n Boots


view from left of circulation desk

full view



some touch up

Portrait through Still Life

A few years ago a mother of three daughters asked me to do a little still life for the middle daughter as a high school graduation gift. She brought me various objects and photos to include that represented her daughter's childhood. There are two of her favorite stuffed animals, a favorite pink perfume bottle, her rosary beads, a special box, a bracelet, and a photograph of the Australian Shepherd she grew up with.  There is also a swimming medal (she is a great swimmer!), and an envelope with the Sacred Heart logo on it, representing her education. The background is a William Morris design with lilies for her name.

A few years later the youngest daughter was graduating from the same school and I was honored to do a portrait for her as well. This daughter was quite an outdoorsman and an artist well as a swimmer. She liked a different color palette. Her well worn hiking boots anchor the composition posed with her very much loved stuffed rabbit. Also from her outdoor life are a couple knives, one for whittling and one for everything else. Her school team swim cap is in the painting as well as her blue goggles. Some of her creative projects -an amazing duct tape cap, a cup and a few other items complete the composition. (She made a lot of beautiful pottery while in high school which I had the pleasure of seeing when I helped her assemble her portfolio). And not to be forgotten is her favorite book "The Hobbit" and a little photo of herself with her sisters. In this painting the Sacred Heart logo is pinned to the wall. 


The oldest daughter graduated in 2018 with an MBA from University of Chicago and her mom asked me to do a still life portrait for her on this very important occasion. (We didn't do a portrait for her when she graduated from high school because her parents had given her a study from the Jacksonville Murals that I had painted during the time she was growing up. She was a huge Harry Potter fan and the study was of Hedwig.) 

So this daughter's portrait became an amalgam of objects from her childhood as well as her current life as a young woman living and working in Chicago. Raggedy Ann and Andy were made for her by her grandmother. The mirror, perfume bottle and tray sat on her childhood dresser.  Other favorite objects in the painting are the pearls, a silver bracelet and her class ring which bears the logo of the Sacred Heart. The shared experience of being educated at a Sacred Heart school was important to the three sisters. They are very close to each other even though they live spread out across the country.   
The two books depicted are "book ends" to her love of literature. "Chronicles of Narnia" was read to her by her father when she was a child, and she read Anna Karenina while an undergrad at Northwestern. Another nod to her time at Northwestern is the purple lanyard draped across the mirror. Also on the mirror is a small photo of the three girls when the youngest was a tiny baby. The two older sisters hold her between them in their arms. A crucifix that  hung on her childhood bedroom wall is reflected in the mirror. The envelope that rests on top of the books displays the University of Chicago graduate school logo, emphasizing the transition of time/stages of life that are present in the painting. The Chicago skyline, her current home, defines the landscape behind the objects and reflects the foreground composition.    




Adrienne's Feast, oil on linen, 24" x 40"


I loved doing this painting because it reminded me of an Italian predella panel that tell the story of the life of a saint in the various stages of their life and work.
This is Adrienne, mother of four, cherished and adored wife, talented and much traveled cook, and animal lover. Adrienne saw my painting "Lake House after the Storm" and related to it having experienced the flooding from Hurricane Harvey in Houston, Texas where she lives. She had a birthday coming up and her husband Jody contacted me. After some discussion, and learning that Lake House was no longer available, Jody asked me to create a painting specifically for his wife, including things that were dear to her. Jody was wonderful to work with as he had studied a number of my paintings and had a good idea of what I needed. He also liked the composition in Lake House-a series of arches that structure the rectangle so we decided to do something similar for Adrienne's painting. He sent me family photos and pictures of their home and their dogs and cats (a wonderful menagerie!). He told me some great stories and family legends including the phenomenon of the Christ figure statuette from Rio de Janeiro that continuously turns to face them no matter how many times they straighten him to face forward. The figure is included in the painting on a pedestal...facing Adrienne. Adrienne's three sons are grown men now but in the painting they are young boys playing ball, visible through the arch on the left. Adrienne lost a baby girl but the child lives on in her heart so Jody asked that I include a little girl in the painting. She is in the arch to the right, in a translucent pink dress, releasing white doves into the sky, where images of Adriennes's mother and father and brother Michael, are subtly represented in the cloud formations. The bookshelves are lined with Adrienne's collection of cookbooks that she formed during many international trips. Adrienne is wearing a formal blue gown that she wore as mother of the groom in her son's wedding. Some other small things are another painting of mine, called White Stockings, which they have in their collection as well as a few images of creatures that come and go on their property in Houston including deer, a white heron, and the hen that is watching Adrienne closely while she prepares a feast. Note- a favorite book and film of Adrienne's and Jody's is Babette's Feast, and Jody decided that Adrienne's Feast would be a perfect title because of the way she instills love into all aspects of her life.