landscape

Alfred and Friends on the Farm, oil on linen, 20" x 24"

 

Alfred is the fellow sitting right in the center foreground of the painting looking out at you and he is a very lucky guy. He was adopted by a wonderful family who had recently lost their beloved Spaniel so in a mutual arrangement he filled their hearts with joy again, and they are giving him a life any dog would envy.

Next to Alfred is his buddy Lily. Lily is a demure city girl living in a nice building on the upper east side of Manhattan. She goes to the beauty parlor regularly and lives a posh life with her mum. But when Lily goes to visit Alfred on his farm, she becomes quite another beast completely, and has been known to get appropriately muddy for a farm dog. 

Behind the pups in this pastoral setting are Mason and Jake, Alfred's very curious donkey friends. Whenever Alfred is near they watch him closely and appear to be amused by his antics.  

And back in the field are the beautiful farm cows grazing peacefully. 

This painting was a surprise for Alfred's family from his grandmother who is also the former director of the Tatistcheff Gallery NYC where I exhibited by work for many years and my close friend. She  stealthily collected photos of the farm from her son and sent them to me one my one. As a writer, she had an amazing ability to describe all the subjects' personalities in great detail so that I could get them on canvas. It was  a cheerful project to work on together and now I look forward to meeting all the characters in person one day! 


View from the Terrace-a Narrative Portrait

"View from the Terrace", oil on linen, 34" x 40"

Sometimes the resources my narrative portrait clients give me to work with allow me to take a virtual vacation in a beautiful location. This was definitely the scenario with John and Lee Stough. John is in real estate and Lee is an interior designer. They love dogs, travel, food, family and history and their lives revolve around those things. They bought and restored a medieval village house in Umbria, Italy and they moved a circa 1800 log meeting house from Kentucky to Sewanee Tennessee and built a house around it. So these were the rich and visually wonderful things I could incorporate into the composition. 
Since their Italian homes are in Umbria, I decided to structure the painting around the architecture from a painting by one of my favorite Umbrian painters- Perugino. I have always loved the geometry of the arches in Delivery of the Keys. I wanted the arches to open to an expansive landscape that would evoke the views they enjoy in both Sewanee and Ficulle so I settled the log home on a rolling hill, visible through the left side arch. A medieval village, inspired by another Early Renaissance fresco, is in the center and an Italian village, inspired by their village in Umbria, sits beyond the terrace on the right side above the grape arbor. John and Lee provided me with a photo of themselves dining al fresco and the two dogs are their beloved Brittany Spaniels Gracie and Tyler- one is on the trail of a clever rabbit (their daughter's nickname is "Bunny" and the other is contemplating disturbing a hungry Bear (their son's nickname). There are chairs at the table for both their children  when they visit and a tool box in the foreground to represent their self-confessed "addiction to sawdust". 

Thumbnail sketch 

Perugino's arches


Tapestry





When I paint a narrative portrait for someone I always think of myself as the weaver and my client as the provider of the yarn.  With my recent project my client provided some truly beautiful and rich threads to work with! The painting is a gift to his wife to celebrate their marriage and their family. Right from the beginning I was moved by his love and admiration for her. He took so much time thinking about the project and carefully choosing photos and memories from their many years together, that he thought she would enjoy, for me to incorporate into the painting. It was truly a labor of complete adoration by him and thus very inspiring for me to create it.

"Tapestry", oil on linen, 34" x 50"


The concept of the painting was to represent their life together and their travels, as well as personal talents, interests and occupations of the parents and their three children.

He thought that his wife would like a deep space that would feel like a window into another world. I looked to several Dutch street scenes as inspiration for the composition and architectural elements (Both of them like Dutch paintings.)- One by Willem Koekkoek and one by Joods Dommersen. 

  
           

On either side of the street are two little interiors.  On the left, a couple sits at a table in an intimate scene of domestic happiness as they plan their next trip together. There is a map on the table and an antique globe lifted from Vermeer’s painting- “The Astronomer”.  The pose comes from a painting by Pieter de Hooch titled “Couple with Parrot”


In the foreground of the interior is a suitcase with a guide to Paris and a beret - a tribute to his wife’s love of French culture and language. The Pinocchio hanging from the chair is a reference to the client’s profession.   

On the upper level of the house a young man stands with a telescope. This is the eldest son who is at SpaceX in California, working on sending a rocket to Mars. Note - the moon looks a bit like Mars - and there is a rocket stream in the sky.

Also on the left side monkeys cavort on the roof tops - these are from some of the many photos of animals taken on their family trips.

Connecting the composition from left to right is their daughter as a little girl dribbling a soccer ball through the street and a young version of their two boys, about to launch a model rocket. The family does not have pets but I couldn't resist adding a little hound in the door at the right as a symbol of fidelity.

In the interior on the right side there is baking going on. The two younger children are serious bakers and it was difficult picking which gorgeous cake to include in the painting. Also in this interior are a trumpet their daughter plays, a typewriter and an apple with a bite out of it. The younger son is a screenwriter and also works for Apple. On the back wall is a map of Indonesia -a frequent destination for the husband and wife before they had children. In the upstairs window is a Probiscus Monkey - one of the family’s favorite creatures from their many trips. It is sort of a family joke because probiscus in Malaysian means old Dutch uncle.
 

Now for the landscapes. There were so many to choose from and making the transition from one to the next to create a deep space was one of the many enjoyable challenges in this project. At the end of the street are a number of warriors from the tomb of a Vietnamese emperor in Hue, which make way for a bridge in Nara, Japan. The couple, in their early years together, are about to cross the bridge to visit The Golden Temple in Amritsar India. Behind the temple the landscape changes rapidly to Morocco and five camels just visible on the horizon, before your eye makes a leap to the vanishing point for the entire painting - which lies somewhere beyond Machu Pichu.

I feel honored to have been asked to collaborate on this project, to have gotten to know this amazing family vicariously through their personal photos and stories, and to bear witness to the deep love and pride a man has for his wife and children.


"The Sunday Paper" and homage to "La Grande Jatte"

I finished this painting, "The Sunday Paper", just in time to frame it and put it on a truck to Dog and Horse Fine Art, in Charleston, South Carolina. My show there opens on Friday night and I am very excited about it. http://www.dogandhorsefineart.com/index.php/exhibits/item/kathryn-freeman-a-perfect-reality  Come to the opening if you are going to be in Charleston! There will be jazz music and cupcakes! Along with wine, of course. Charleston is known for its Friday night art openings.

"The Sunday Paper", oil on linen, 36" x 48"


 As you can see the interior of the painting is a typical Sunday morning in some houses-guy on the sofa, dozing off while reading the Sunday paper. His faithful dogs would love to go to the park, but their owner won't wake up and take them. So the park is coming to them.

Georges Seurat's incredible painting, "Sunday Afternoon on the Island of La Grande Jatte", has had a huge role in my development as a painter over a period of 30 (at least) years. I fell in love with it when I was in graduate school, -for its formality, compositional brilliance, such as the use of the golden section and diagonals, use of the silhouette, shape repetition, shape symbolism, and about a million other reasons. Seurat was a genius and so much more than the "pointillism" technique he used for awhile, which tends to be his big claim to fame in art history books. He died at age 32 and I always wonder what he would have produced if he had lived longer. He was a skilled draftsman as well as an auspicious colorist, so he was capable of anything.

Whenever I feel confused about painting (frequently) I return to La Grande Jatte along with going back to look at Vermeer's "Woman in Blue Reading a Letter". Those two paintings clear my head, reinforce what painting is about, and restore my faith.  I had seen lots of studies and reproductions of La Grande Jatte but I had never seen the big finished painting until last year when I finally got to Chicago. The painting took my breath away and I felt dizzy standing in front of something I had studied and admired for so long. I spent the entire day there.

It was time to pay homage. So I decided to make the park in "The Sunday Paper", La Grande Jatte.

I had to expand Seurat's landscape a little bit so that it was visible out the door and the side window, and I borrowed a few figures from some of his other paintings and studies. As you can see, a few elements of the painting have already seeped into the room. The monkey on a leash being held by the woman with the black parasol has sneaked into the picture along with her hat, as have some of the vertical elements and diagonals. I do realize that there are a lot of people who are not reading a hard copy of the newspaper anymore, so there is a tablet (maybe a kindle?) on the coffee table on top of the red book. So that is me tipping my top hat to new technology, while also tipping it to one of the greatest paintings of the 19th century. Thank you Georges. 

The Remains of the Day

In "The Remains of the Day" the hero returns from a very long day at work, to find that he has been away so long, a large tree has grown in his living room. His little terrier looks at  him as if to say "Sorry, but there was nothing I could do to prevent this".  He decides to make  the best of the remains of his day, so he strips down to his boxers, makes himself a scotch, and climbs up to the roof terrace to relax.  It is the story of the "everyman". In literature  and drama, the term everyman has come to mean an ordinary individual, with whom the audience or reader is supposed to be able to identify easily, and who is often placed in  extraordinary circumstances. The three panels that make up the triptych are each 18" high by 24" wide.





Here is the preliminary sketch for the panels-graphite on paper



For the Love of Dogs

As a compassionate lover of dogs and as an advocate of animal rescue I am constantly seeing animals who are saved by rescue organizations that are in heartbreaking physical condition from neglect and abuse and in dire need of veterinary care. Every time I see one, I want to respond with a donation to help the organization to save the dog. A couple years ago I decided that I would start doing portraits of dogs and that each time I did a portrait I would make a donation for a specific dog in need that had captured my heart.

Recently the timing of this was like clockwork. A dear friend asked me to paint a beautiful spaniel named Milo. It was to be a thank you gift for her close friends who live in Italy. Milo has the most glorious life a dog could imagine in a beautiful place, going out on boats regularly and playing on the beach. His owners love him deeply and take very good care of him. His coat shines, he is athletic and healthy and has a huge smile. It was a joy to paint such a happy dog and it was also a joy to paint his surroundings of blue sky and cobalt water with the Capri Faraglioni behind him on the horizon.  Just after I painted this little portrait, I heard about another dog- Griffin, who had just been rescued by Second Chance Rescue in NYC. When Griffin was found he was so emaciated he couldn't raise his head. He needed immediate and intensive vet care and Second Chance set up a fund for him- which I was able to contribute to because of the portrait of Milo. Two dogs worlds apart in their life situation and their health, but I truly believe that animals share souls and in some strange way Milo and Griffin's souls will always be connected.




Bugfire

I finished this painting earlier this summer. It is inspired by a book by the same name, "Bugfire" written by the author Jean Heilprin Diehl. The setting for the painting is the Amazon Littlebee House on Block Island, RI. Last summer I was walking by the house and someone was trimming the magnificent hedge that surrounds the property. When I passed by again, I saw that they had made the opening in the hedge into a heart. Jean's novel is about an adolescent girl who is facing some challenges in her family life and finds enlightenment by helping a younger child whose personal challenges are greater than her own. I see the opening in the hedge as sort of a window to the luminosity of the spirit and the fireflies as real and allegorical flickers of light against the impending gloom of dusk on a heavy summer evening. One of my art students, beautiful Caroline, was kind enough to model for the figure. To know why the title of the book, and the painting is "Bugfire" you will have to read the novel when it is published. It is wonderful.
The painting is oil on canvas, 36" x 36"

A Room with a View, and a Family

I recently finished this portrait for a family. It is 44" x 64" oil on linen. The family lives on a lake and they asked that the landscape out the window  be painted in winter so that the lake would be visible through the trees. The room was yellow, so a relationship between the warm interior tones and the violet and blues in the winter landscape happened naturally. Various other elements note things from their personal and professional lives. The boy is an accomplished musician so I gave special attention to his beautiful hands and long fingers- in the painting he is playing Chinese Checkers, but in the painting within the painting, on the right- he is playing the piano. The painting now hangs in the same room that it depicts, so even at night when the sky is dark, they can still enjoy the view.

Plutarque

This is a portrait I did late this spring. The people who own this beautiful dog, asked that he be painted from behind- that it suited his personality. They also sent me a snapshot of Plutarque in this pose and extra pictures of the California Coast. I had difficulty parting with the painting when I finished it, as I had become fascinated with the dog and who he really was. So I asked his family to please write his biography to go with the image on my blog. It is wonderful. The painting is 20" x 24" oil on panel.



PLUTARQUE a.k.a. Mr. PLUME

After moving to California, I started looking for a new four-legged friend.  First place I looked at was the SPCA website.  The requirements were simple: a male small enough for me to carry if needed.
After entering these criteria on the website I saw his picture.  Because he is black and white, after being captured roaming the streets he was named Domino.  When I called the SPCA I was told that an adoption was in progress.  But a few days later he was still on the website.  I called again and got the same answer.  A week later, same thing, so we decided to make the trip to the SPCA.  It was Labor Day weekend 2000.  There he was, waiting to be adopted with only three days left before being euthanatized.  We were told that he had been rejected because he had kennel cough (easily treated), he was labeled aggressive (true toward men) and finally because of a lack of connection (when you meet a dog in a room where other animals have been brought in before, the dog is of course more interested in sniffing around than in “connecting” with you).  If not adopted that weekend, “Domino” would die the following week.  As I could carry him, he was young (not quite a year old) and healthy, the decision was easy.  We filled out the forms, gave him a new name and took him home.
The tradition in France is that the first letter of the name of a dog is different each year.  He was born in 1999 and that year the letter was P hence Plutarque, famous philosopher.  For a lot of people that name is difficult to pronounce and very quickly it was abbreviated into “Plu”.  When my Mom saw him she immediately called him “Plume” (meaning feather in French because of his tail) and the name stays.
Aside from being abused (we couldn’t touch him, especially the head, cuddle him) and left alone, Plume didn’t know much.  He spent the first few days running in the backyard, finding a way to escape (being very successful and us being very worried, but coming back home after a few hours), barking at himself when facing a mirror, forgetting to eat and literally falling asleep after hours of running, smelling, exploring, listening and hunting gophers.  We spent 3 months taking him to school to teach him some basic commands (the “Come” command never worked and still doesn’t), interact with other dogs and human beings and learn that not everybody wants to hurt him.  It helped him somewhat but it took quite a few more months before we could pet him without him being scared.  As he didn’t have a normal puppy life he had to be taught everything.  A couple of weeks were enough for him to enjoy going for a car ride.  One day I finally drove with him to a somewhat isolated beach.  We were on the bluff when he sat down and just looked.  Mesmerized, fascinated by the space, the smell, the noise, not one muscle moving.  That’s when I took the picture.  What was he thinking?  I will never know.  There was nobody, I let him free and he took off.  Running, on the beach or at the edge of the water, running while looking at the birds flying, running but keeping an eye on me, running until he was exhausted and came back to have a drink and let me put his leash back on.  He was happy.  He was free.  Every chance I had to let him free on the beach I did it.  And every time, I just watched him running free, happy, running until his legs couldn’t carry him and he comes back lying down beside me.
One day, Plutarque went in the guest bedroom.  On the bed there was an old teddy bear given years before by a friend.  It didn’t take him long to “steal”, carried him to the yard and “adopt” it as friend.  From that day on he carried it around, cleaned it, took it hunting with him and slept with it.  I patched the poor thing as many times and as long as I could but after more than 7 years I finally had to put it in the trash.  This teddy bear was the first of many other fluffy friends.  Mr. Plume is well known in the neighborhood for running and barking at passing by bikers or pedestrians with one of his toys in his mouth or having meeting with his toys around a gopher’s hole.
Plutarque adopted me and was very protective (sometimes too much) very quickly.  It took him longer to be the same with Mike, my husband, although he loved playing rough with him.  Months of patience and love were needed for him to trust us. 
Plutarque is different.  Too much abuse when he was a puppy has left indelible marks.  He is independent but needs to have his people around.  He needs space and fresh air and to run in the yard but he is able to spend hours by the door of my office, protecting me and ready to go wherever I go.  If I had to define him I would use words such as freedom, independence and solitude but also trust, protection/possession, need of human contact and unconditional love for his people.

The First Mate

I finished this painting last Friday.
In August we spent a week, or almost a week because of Hurricane Irene, on a lake in the Berkshires. It was a very quiet lake with only a few canoes or kayaks gliding in and out of the coves. A man lived in the cabin next to ours. Every couple of hours he would come out of his cabin and get in his canoe with his dog. The dog would move gracefully to the front of the canoe and stand looking straight out with his legs up on the bow like a proud masthead. The man would then paddle him the full length of the lake and into the marshes beyond. One day we were out in our kayaks and paddled close to the dog in the canoe and the man told us his story. He had adopted the dog from a very rough urban kill shelter. The dog had been returned previously by three foster homes because he was aggressive. He had a number of scars from the fights and abuse he had suffered. The man adopted him and brought him to his home on the lake where he could live quietly and unthreatened. The canoe outings soon became the focus of the dog's (and the man's) day. The dog waited at the door of the cabin patiently until the man made a move as if it was time for a paddle. Then he would run to the dock and take his place. A magical relationship had formed for both of them. It was hard to imagine him as an aggressive dog, as we saw him gliding calmly, smoothly, elegantly across the lake, in his canoe with his man paddling soundlessly behind him.

Young Girl and Two Dogs in Summer


I finished this painting the other day. The catalyst for it was a photo I took of my daughter when she was about 13. I have had it on my drawing table in my studio since then (eight years) and I have always wanted to incorporate it into a painting. The setting is Andy's Way and it is late in the day- my favorite place and time. The dog running through the water is Rembrandt, who discovered that he loves water last summer. I guess he has some lab in him deep down in his gene pool. The Springer was inspired by my friend's dog, named McDuff.
The painting is 18" x 24" oil on panel.

Clamming at Andy's Way


I am currently working on a group of paintings inspired by Block Island, which is one of my favorite places on earth. Andy's Way is a beach on the sound side of the island where people go clamming at low tide. This painting is oil on panel 24' x 36". I am interested in looking at how a single or small group of figures relates to the landscape and in most of these paintings I am also focusing on the canine and human relationship-a favorite subject of mine.