oil on panel

"The Collector", oil on panel, 26" x 32"

This is a portrait I just completed for the New York collector Neale Albert and his lovely wife Margaret. He asked to be painted in his library with some of his favorite pieces. He has an astounding collection of paintings, porcelain, English brass, miniature Shakespeare books, and a beautiful replica of the new Globe Theater made by Tim Gosling. He is also known for commissioning unusual  (and challenging) projects from artists, cabinet makers, and book binders. His collection will eventually go to Yale University and there will be an exhibition at Yale next spring of his miniature Shakespeare collection called  "The poet of them all": William Shakespeare and miniature designer bindings from the collection of Neale and Margaret Albert.  They have decided to show this portrait as part of the exhibition. 
A few interesting things about the painting: There are paintings by George Deem, Robert Kulicke and Nell Blaine among others. Neale and Margaret own another small apartment two floors above their  apartment on Park Avenue, which opens on to a roof garden, that overlooks the city. They call this apartment and garden "The Morgan Cottage" and refer to it as their summer home. So to include it in the painting we brought it down to the 6th floor and opened the library to it (in the painting). Neale and Margaret are also represented in the garden, enjoying a peaceful glass of wine above the chaos of the city.  Also included in the painting are many objects they cherish from their personal life histories. I have known Neale for a long time and I did another painting for him years ago of his favorite London pub. It was an honor to do this portrait for them and it gave me a deep appreciation for their lives and the kind of focus, passion and perseverance it takes to form a collection over a lifetime. And I admire their generosity in giving the collection to Yale where it will be appreciated by many-forever.


The Remains of the Day

In "The Remains of the Day" the hero returns from a very long day at work, to find that he has been away so long, a large tree has grown in his living room. His little terrier looks at  him as if to say "Sorry, but there was nothing I could do to prevent this".  He decides to make  the best of the remains of his day, so he strips down to his boxers, makes himself a scotch, and climbs up to the roof terrace to relax.  It is the story of the "everyman". In literature  and drama, the term everyman has come to mean an ordinary individual, with whom the audience or reader is supposed to be able to identify easily, and who is often placed in  extraordinary circumstances. The three panels that make up the triptych are each 18" high by 24" wide.





Here is the preliminary sketch for the panels-graphite on paper



Forest Nocturne



Forest Nocturne

I am easily disoriented by
by the shortening days
as winter’s breath creeps up
and darkness looms.
But I forget,
and take a walk
that is a little too long
for the allotted daylight.
As the sun begins to settle
behind the trees
and the shadows lengthen
into nothingness,
I feel a presence in the woods.
The warm earth cools
and the rising mist
veils the rock masses
and fallen trees.
And the audience begins to assemble
in their usual places
for the evening concert.
I am the uninvited guest.
So I hasten my pace

towards home.

Dogs with Wheels

I have always loved seeing a dog in a car, hanging out, acting like he owns the vehicle- proud of his wheels and being a little bit off the ground, for a change. I especially like watching  dogs on vacation, riding in their jeeps, trucks and other recreational vehicles. This selection of "Dogs with Wheels" is inspired by the dogs of Block Island. Each painting is oil on panel, 12" x 16".





Bugfire

I finished this painting earlier this summer. It is inspired by a book by the same name, "Bugfire" written by the author Jean Heilprin Diehl. The setting for the painting is the Amazon Littlebee House on Block Island, RI. Last summer I was walking by the house and someone was trimming the magnificent hedge that surrounds the property. When I passed by again, I saw that they had made the opening in the hedge into a heart. Jean's novel is about an adolescent girl who is facing some challenges in her family life and finds enlightenment by helping a younger child whose personal challenges are greater than her own. I see the opening in the hedge as sort of a window to the luminosity of the spirit and the fireflies as real and allegorical flickers of light against the impending gloom of dusk on a heavy summer evening. One of my art students, beautiful Caroline, was kind enough to model for the figure. To know why the title of the book, and the painting is "Bugfire" you will have to read the novel when it is published. It is wonderful.
The painting is oil on canvas, 36" x 36"

A Dog's Life and Lucky Dog Animal Rescue

This is a tiny painting I did of my dog Rembrandt who is actually rather large.  It is one of my "A Dog's Life" paintings in which I am trying to express how a dog enjoys a particular place or environment just as we do. In this painting Remy is lying in the field below the Spring House Hotel on Block Island. He has his head lifted slightly to catch the sea breeze. If you could get close enough you would see that his nose is twitching, taking in all the interesting smells that the breeze carries with it- at least for a dog.  Because I love dogs, and love looking at dogs, I have started fostering rescue dogs, until they get adopted. I am fostering for an amazing organization in DC called Lucky Dog Animal Rescue. They rescue dogs from high kill shelters in the south and bring them to the Washington area to find homes for them. Last week they found homes for fifty-four dogs. Seeing the dogs get lifted off the trucks into the arms of people waiting for them, is one of the most moving things I have ever witnessed. The dogs enter their new life looking a little timid. Some of them cower and crouch when their feet touch the ground. Then they look into the eyes of the human who is reaching for them and you can almost hear them sigh.  They know they have been saved and given a second chance at life. I am so moved by this endeavor that I have decided that part of the proceeds from all my A Dog's Life paintings will go to Lucky Dog Rescue so that more dogs can get lucky.

Plutarque

This is a portrait I did late this spring. The people who own this beautiful dog, asked that he be painted from behind- that it suited his personality. They also sent me a snapshot of Plutarque in this pose and extra pictures of the California Coast. I had difficulty parting with the painting when I finished it, as I had become fascinated with the dog and who he really was. So I asked his family to please write his biography to go with the image on my blog. It is wonderful. The painting is 20" x 24" oil on panel.



PLUTARQUE a.k.a. Mr. PLUME

After moving to California, I started looking for a new four-legged friend.  First place I looked at was the SPCA website.  The requirements were simple: a male small enough for me to carry if needed.
After entering these criteria on the website I saw his picture.  Because he is black and white, after being captured roaming the streets he was named Domino.  When I called the SPCA I was told that an adoption was in progress.  But a few days later he was still on the website.  I called again and got the same answer.  A week later, same thing, so we decided to make the trip to the SPCA.  It was Labor Day weekend 2000.  There he was, waiting to be adopted with only three days left before being euthanatized.  We were told that he had been rejected because he had kennel cough (easily treated), he was labeled aggressive (true toward men) and finally because of a lack of connection (when you meet a dog in a room where other animals have been brought in before, the dog is of course more interested in sniffing around than in “connecting” with you).  If not adopted that weekend, “Domino” would die the following week.  As I could carry him, he was young (not quite a year old) and healthy, the decision was easy.  We filled out the forms, gave him a new name and took him home.
The tradition in France is that the first letter of the name of a dog is different each year.  He was born in 1999 and that year the letter was P hence Plutarque, famous philosopher.  For a lot of people that name is difficult to pronounce and very quickly it was abbreviated into “Plu”.  When my Mom saw him she immediately called him “Plume” (meaning feather in French because of his tail) and the name stays.
Aside from being abused (we couldn’t touch him, especially the head, cuddle him) and left alone, Plume didn’t know much.  He spent the first few days running in the backyard, finding a way to escape (being very successful and us being very worried, but coming back home after a few hours), barking at himself when facing a mirror, forgetting to eat and literally falling asleep after hours of running, smelling, exploring, listening and hunting gophers.  We spent 3 months taking him to school to teach him some basic commands (the “Come” command never worked and still doesn’t), interact with other dogs and human beings and learn that not everybody wants to hurt him.  It helped him somewhat but it took quite a few more months before we could pet him without him being scared.  As he didn’t have a normal puppy life he had to be taught everything.  A couple of weeks were enough for him to enjoy going for a car ride.  One day I finally drove with him to a somewhat isolated beach.  We were on the bluff when he sat down and just looked.  Mesmerized, fascinated by the space, the smell, the noise, not one muscle moving.  That’s when I took the picture.  What was he thinking?  I will never know.  There was nobody, I let him free and he took off.  Running, on the beach or at the edge of the water, running while looking at the birds flying, running but keeping an eye on me, running until he was exhausted and came back to have a drink and let me put his leash back on.  He was happy.  He was free.  Every chance I had to let him free on the beach I did it.  And every time, I just watched him running free, happy, running until his legs couldn’t carry him and he comes back lying down beside me.
One day, Plutarque went in the guest bedroom.  On the bed there was an old teddy bear given years before by a friend.  It didn’t take him long to “steal”, carried him to the yard and “adopt” it as friend.  From that day on he carried it around, cleaned it, took it hunting with him and slept with it.  I patched the poor thing as many times and as long as I could but after more than 7 years I finally had to put it in the trash.  This teddy bear was the first of many other fluffy friends.  Mr. Plume is well known in the neighborhood for running and barking at passing by bikers or pedestrians with one of his toys in his mouth or having meeting with his toys around a gopher’s hole.
Plutarque adopted me and was very protective (sometimes too much) very quickly.  It took him longer to be the same with Mike, my husband, although he loved playing rough with him.  Months of patience and love were needed for him to trust us. 
Plutarque is different.  Too much abuse when he was a puppy has left indelible marks.  He is independent but needs to have his people around.  He needs space and fresh air and to run in the yard but he is able to spend hours by the door of my office, protecting me and ready to go wherever I go.  If I had to define him I would use words such as freedom, independence and solitude but also trust, protection/possession, need of human contact and unconditional love for his people.

The First Mate

I finished this painting last Friday.
In August we spent a week, or almost a week because of Hurricane Irene, on a lake in the Berkshires. It was a very quiet lake with only a few canoes or kayaks gliding in and out of the coves. A man lived in the cabin next to ours. Every couple of hours he would come out of his cabin and get in his canoe with his dog. The dog would move gracefully to the front of the canoe and stand looking straight out with his legs up on the bow like a proud masthead. The man would then paddle him the full length of the lake and into the marshes beyond. One day we were out in our kayaks and paddled close to the dog in the canoe and the man told us his story. He had adopted the dog from a very rough urban kill shelter. The dog had been returned previously by three foster homes because he was aggressive. He had a number of scars from the fights and abuse he had suffered. The man adopted him and brought him to his home on the lake where he could live quietly and unthreatened. The canoe outings soon became the focus of the dog's (and the man's) day. The dog waited at the door of the cabin patiently until the man made a move as if it was time for a paddle. Then he would run to the dock and take his place. A magical relationship had formed for both of them. It was hard to imagine him as an aggressive dog, as we saw him gliding calmly, smoothly, elegantly across the lake, in his canoe with his man paddling soundlessly behind him.

Painting Commissioned Portraits

Painting commissioned portraits is always challenging. Making an interesting painting as well as representing an individual to his or her satisfaction can sometimes be tricky. My latest incarnation as a portrait painter seems to be painting beloved, but deceased pets. My dear friend and dealer, Peg Goldberg, of Longstreth Goldberg Art, Naples, FL, called me a month or two ago close to tears. Her neighbor's dog "Maxwell Smart" had passed away that morning and they were all devastated. It seems Maxwell, a huge, happy, old yellow lab was the center of their lives. Peg asked me if I would paint Maxwell with his "parents", as a surprise. This is when a portrait painter has to make a decision- do I make an attempt at it or not? My policy is to always say yes. And truthfully I have yet to paint a portrait from which I didn't learn something new or which didn't push me out of my comfort zone in one way or another. I always feel like I gain from the experience. So I said "yes, I would love to paint Maxwell and Family!" Then Peg started sending me the only resource material she had, which included a very blurry low resolution image of Maxwell, and a couple bad shots of his people. The only story I had to go on was that Maxwell liked bananas. So that led to a picnic- Dejeuner sur L'herbe avec Lab. Since they live in Naples I looked at a Winslow Homer watercolor I love of palm trees, and invented a picnic lunch, including a banana. Peg gave me some input on the general appearance of her friends-face shape, type of clothing, etc. which was helpful. She loves the end result and is giving the painting to her friends for Christmas. What did I learn from this one? I definitely figured out palm trees, and I got better at making something from almost nothing. As long as my client is happy, then I am happy to have painted it.

The painting of Maxwell Smart is oil on panel 20" x 24"

Portrait of a Family

This is a portrait I finished recently for a family in Ridgewood, New Jersey. I used the repetition of a triangle, referencing the shape in the roof of the house in the composition of the three figures. This is a device often seen in Early Renaissance panel paintings and frescoes which anchors the figures to the foreground while creating a connection and harmony between the foreground and the background of the painting.

Portrait of a Relationship


This is the narrative portrait that I finished recently. It was commissioned by a woman for the man she was about to marry, as a wedding gift. It was presented to him on the nineteenth and they were married on the 26th! It was a great project because the client completely understood the concept of a narrative portrait and had so many ideas to bring to the painting. The picture tells the story of their first "meaningful" date as well as the story of the proposal. Elements in the painting tell of her interests and his interests and how they are bringing those things and melding them into their relationship. Their dog, who is a big part of the picture (real and metaphorically) is the narrator of the painting and makes eye contact with the viewer. The client didn't want to be very "big" in the painting but rather wanted to be secondary to the story the painting is telling. Thus they are the couple standing in the middle distance, on the bank of the Chesapeake. Other elements of the painting emphasize the concept of a twosome- two sailboats, two trees, two towers on the bridge, etc. Here are four images from the first thumbnail studies, to the composition on graph paper, to the grisaille with partial imprimatura, and the finished painting below. It is oil on panel, 24" x 36".


Clamming at Andy's Way


I am currently working on a group of paintings inspired by Block Island, which is one of my favorite places on earth. Andy's Way is a beach on the sound side of the island where people go clamming at low tide. This painting is oil on panel 24' x 36". I am interested in looking at how a single or small group of figures relates to the landscape and in most of these paintings I am also focusing on the canine and human relationship-a favorite subject of mine.