Mending the Tigers in Progress

It has been awhile since I've posted anything on my blog. Sometimes when I am working I am too involved it the process to spend time on social media or even my computer. I guess I will always be "old school". Even though I spend the necessary time each day on my computer for my business, sending images, emailing clients, communicating with my galleries, and trying to update my facebook studio page and instagram (yikes!)  I never really feel like I am truly "working" unless I am up in my studio standing in front of my painting wall. I had been working on another book and some portrait work so it took me awhile to get this painting up and running. To dust off the cobwebs in my brain I first did a full size drawing in charcoal and chalk on brown paper. The drawing and the painting are 4' x 5'. It is great to work in charcoal so I can push it around until I get the composition where I want it. So that is the first image you see here.  The second is the perspective drawing on the actual canvas. The third is the underpainting in grisaille with just the start of the first glaze. (pink area on the right) The fourth image shows more of the first glaze. That is where I am right now.  So stay tuned for more images of the progress. By the way the subject of the painting is inspired by a mesmerizing story called "Tiger Mending" by the writer Aimee Bender. I can't wait to paint the tigers!

"Lake House, After the Storm"

I just recently completed a painting titled "Lake House, After the Storm".
It is a long canvas, 30 x 66 inches, oil on linen. I love working on this format as it lends itself to narrative and enables me to create a sequence of  events that tells what the beginning of the story is, (even if the catalyst for the narrative is outside the picture plane), what is happening in the picture plane, and what is likely to happen outside the picture plane on the other side.  The idea for this painting grew out of other images that I have been working on in the past few years - the floating room paintings like "Water Music" and "The Attraction of Fishing" as well as "Moon River" where the water is slowly wending its way into the interior.

"Water Music" 

"The Attraction of Fishing"

  

"Moon River"

I composed "Lakehouse"  using a series of arches to emphasize the right to left movement as well as to isolate the series of vignettes and images. I liked the idea of painting a room and then "flooding" it by glazing color over the floor plane.  I have always been fascinated by images of flooded rooms after natural disasters and how a room seems familiar but at the same time is rather disorienting.

The kernel of the idea for "Lake House" came to me one day when I was walking my dogs in a fundraiser for Best Friends Animal Society with Lucky Dog Rescue. For part of the walk I strolled beside a young man who told me that he first got into animal rescue after Hurricane Katrina. He was working for a company in the south, so he went to New Orleans to help. His job was to paddle around the flooded homes and pick up animals that were stranded. He said it was a very moving experience and he has been involved in animal rescue ever since. The image stayed in my head and even though I know his experience didn't look anything like this painting, the image was inspired by his story.

I tried to make the interior in this painting some what timeless with the classical columns and arches, and the fresco on the exterior wall. I wanted it to create an association for the viewer of ruins or a once beautiful place that is being threatened or destroyed, so the title "Lake House, After the Storm" is meant to evoke an association of the threat of global warming on our environment.

Here are some images of the process:

Graphite study for composition and light

Underpainting in grisaille on gessoed linen

First glaze or "imprimatura"  over the underpainting

Image where some of the interior and the floor plane are in

The finished painting

 (click on it to enlarge the image)

Cello and Painting

Several years ago, I was listening to NPR and I discovered the music of the cellist Zoe Keating. I have never been the same since. Her cello has inspired many the the paintings in my recent show at the Jane Haslem Gallery and has fueled my creativity in general. I put it on in my studio and it makes my mind more fluid and lets emotion rise to the surface. Here are three of the paintings that are directly related to songs from her album "Into the Trees". And here is a link to her website. 

Thank you Zoe.

http://www.zoekeating.com/

Mrs. Paisley's Night Up

I love this poem by India DeCarmine and it inspired me to do this painting.  In the painting Mrs. Paisley takes a break about half way up, to catch her breath and gaze at the moon. The painting is oil on canvas 36" x 36".

The Gift: Wherein Mrs. Paisley

Rights One Wrong of Her Misspent Youth

When Mrs. Paisley was a child

She wasn’t what you would call wild.

She never deigned to skin her knee,

Bake with mud or climb a tree.

In short, for all of her young age

(when beastly girls were all the rage),

her main aim was taking care

not to disarrange her hair.

Mrs. Paisley eyes an elm,

hitherto within the realm

of things she’d not meant to ascend.

Yet lately she’s discerned a trend

whereby categories shift.

With fine, long limbs, this tree’s a gift.

Mrs. Paisley’s not elastic,

and the angle is quite drastic

of that first limb. While she heaves

her butt up towards  the new spring leaves,

she thinks of neighbors with a view

and hopes they’ve better things to do.

She strains, she gains the branch, how sweet

to feel its curve beneath her feet.

Yet soon she knows that sweeter still

is the second branch; a thrill

attends each branch in turn. Her knee

is skinned as she goes up the tree,

but Mrs. Paisley doesn’t stop

until she’s reached the tippy top.

Here she grins and looks around.

How pleasant to have left the ground. 

The Calm before the Storm

oil on linen 36"x48"

 In this painting a cellist plays alone in a quiet room. As she plays, the room metamorphosizes into an enchanted forest and birds begin to fly in and congregate on the tables and chairs. The cellist’s dogs listen  and are seemingly undisturbed by the visiting birds. Outside the window the sky is getting dark, and storm clouds move in over the city, in contrast to the calm silvery interior. I was inspired to do this painting after reading about birds displaced by the high winds during Hurricane Sandy. Gannets were spotted in New York Harbor, Jaegers at Cape May, NJ, and Petrels on the Hudson River.  I started thinking about the room as a sanctuary, like the calm before the storm, in the face of impending chaos.